| MARC21-007: Refined categories of color of motion picture |
yellow strip |
yellow strip |
preferred label |
en |
| MARC21-007: Refined categories of color of motion picture |
yellow strip |
Color separation record of blue light which prints as yellow. |
definition |
en |
| MARC21-007: Refined categories of color of motion picture |
yellow strip |
k |
notation |
en |
| MARC21-007: Refined categories of color of motion picture |
S E N 2 |
S E N 2 |
preferred label |
en |
| MARC21-007: Refined categories of color of motion picture |
S E N 2 |
Successive exposure negative 2. S E N 2 is a method of motion picture color photography in which two color separation negative images were recorded on one strip of film by photographing each frame two times successively through red and blue filters. The resultant negative was subsequently optically printed by the use of a skip-frame mechanism. |
definition |
en |
| MARC21-007: Refined categories of color of motion picture |
S E N 2 |
l |
notation |
en |
| MARC21-007: Refined categories of color of motion picture |
S E N 2 |
The process was restricted to the photography of animated cartoon and puppet subjects in which the movement from frame to frame could be controlled. The successive exposure process was rendered obsolete by the introduction of 3 layer (multilayer) color negative film. |
scope note |
en |
| MARC21-007: Refined categories of color of motion picture |
S E N 3 |
S E N 3 |
preferred label |
en |
| MARC21-007: Refined categories of color of motion picture |
S E N 3 |
Successive exposure negative 3. S E N 3 is a method of motion picture color photography in which three color separation negative images were recorded on one strip of film by photographing each frame three times successively through red, blue, and green filters. The resultant negative was subsequently optically printed by the use of a skip-frame mechanism. |
definition |
en |
| MARC21-007: Refined categories of color of motion picture |
S E N 3 |
m |
notation |
en |
| MARC21-007: Refined categories of color of motion picture |
S E N 3 |
he process was usually restricted to the photography of animated cartoon and puppet subjects in which the movement from frame to frame could be controlled. The successive exposure process was rarely used after the introduction of 3 layer (multilayer) color negative film. |
scope note |
en |
| MARC21-007: Refined categories of color of motion picture |
not applicable |
not applicable |
preferred label |
en |
| MARC21-007: Refined categories of color of motion picture |
not applicable |
Item is not a color film. |
definition |
en |
| MARC21-007: Refined categories of color of motion picture |
not applicable |
n |
notation |
en |
| MARC21-007: Refined categories of color of motion picture |
sepia tone |
sepia tone |
preferred label |
en |
| MARC21-007: Refined categories of color of motion picture |
sepia tone |
Sepia tone which is a conversion of a black-and-white image in silver to sepia (a brownish grey to dark olive brown) by metallic compounds. |
definition |
en |
| MARC21-007: Refined categories of color of motion picture |
sepia tone |
p |
notation |
en |
| MARC21-007: Refined categories of color of motion picture |
sepia tone |
Sepia was the most common tone used, and was used in black-and-white prints of films for special sequences to enhance the dramatic or pictorial effect. |
scope note |
en |
| MARC21-007: Refined categories of color of motion picture |
other tone |
other tone |
preferred label |
en |
| MARC21-007: Refined categories of color of motion picture |
other tone |
Color created by chemically altering the color, for example, uranium produces red, or increasing the brilliance of a print. Toning differs from tinting in that the clear portions of the film remain unaffected. Only the silver image of the positive film becomes colored. |
definition |
en |
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